An actress, director and writer. Intense, sensual, eclectic. She began by interpreting existential angst and emptiness, and then she moved on to the films of the golden age of Italian comedy. Talking about Monica Vitti means telling the story of the evolution of Italian cinema. She was an actress "physically" at odds with the chesty pinups of her era, and yet she managed to tra...
在1982年的戛纳电影节,Wim Wenders带来了一个有趣的拍摄计划,他邀请了所有来到电影节上的导演,给他们一个房间,一架16毫米的摄象机,还有10分钟的胶片,请他们在这台承载过他们最初梦想的机器面前,在一个观察自己又被自己观察的见证者面前,陈述自己对于“The future of CINEMA”的看法。
CINEMA,如果我们现在翻开一本中英辞典,会看见它在英文中的含义包括了“电影”与“电影院”。而在1982年的5月,时代正在将“电影”慢慢从短暂的定义中剔除,Cinema在电影发明的最初几十年里将电影与电影院捆绑在一起,然而正如我们成长的最初将爱情与婚姻当成一回事一样,岁月的行进并不会容忍最初的美好。电影院不再是电影传播的唯一选择,电视与录映带的出现打破了这种垄断,再扩展一步来说,电影也不再是影象制作的唯一形式,人们可以开始在一台14英寸的电视...
红旗渠是20世纪60年代,林县(今河南林州市)人民在极其艰难的条件下,从太行山腰修建的引漳入林工程,全国重点文物保护单位,被人称之为“人工天河”。本片即是对红旗渠建渠历史的回顾,展现建渠技术,讴歌英雄人物,传递奋斗精神。
由河南电视台拍摄的五集纪录片《红旗渠——太行深处的记忆》2015年2月24日(正月初六)开始在河南卫视首播。该片分为《千年寻梦》、《重整河山》、《智慧林州》、《穷则思变》、《永远的红旗渠》五集,从全新的角度反映了林州人民战太行、出太行、富太行、美太行的创业“四部曲”,展现了中华民族精神——红旗渠精神的伟大生命力,彰显了“人民,只有人民,才是创造世界历史的动力”的主题,既有穿越时空纵横捭阖的气势,又有弹指之间高山流水的韵律。
More than 150 silent short films about singers, actors and directors captured during Press Conferences in Cannes, Venice and Berlin, between 1993 and 2002. Presented the first time in 2012 (ten years after the last shooting) in Napoli Film Festival and in 2013 at the Art Institute of California in Santa Ana. An anthropological experiment on the facial expressions of famous peop...
Sandro Lai compiled interviews, talk show appearances, and award presentations from Italian TV for this 2001 film chronicling most of the director's career. It hardly qualifies as in-depth analysis of either the man or his films, but it has a lot of historical flavor and some odd bits of trivia (Antonioni once visited John F. Kennedy in the White House to discuss a film about t...
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By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness o...
An interview with Antonioni about his film career, shot in 1978 by eminent film critic, film historian and founder of the Pesaro Film Festival, Lino Miccichè. This film will be screened in the Tribute to Michelangelo Antonioni IV.