Nahr el Hub is the Egyptian adaptation of Leo Tolstoy's "Anna Karenina".
Abdel Ghaffar revolts against his wife, Sania, when he discovers that Sahar is not his daughter, but rather the result of a sinful relationship between Sania before her marriage. Sania dies, and Abdel Ghaffar mistreats Sahar, who travels to Greece to live with her aunt. There, she meets Sharif, who proposes marriage to her, so she confesses to him her true identity.
In a high school plagued by five unruly students who have failed to graduate for over a decade, the principal hires a new teacher in a last-ditch effort to restore order. Effat, the newly appointed instructor, takes on the challenge with hopes of reforming the troublemakers into model students.
Directed by: Jalal Al Sharqawi (Director)
(Nabil) is a young engineer who lives happily with his daughter (Mona) and his wife (Wafaa). He is a partner with his friend (Safwat) in the same office. Nabil sees a young man throwing himself with the intention of committing suicide. Nabil saves him from committing suicide, but Nabil drowns while saving him. This young man regrets his actions and tries to fix his mistake by getting close to Nabil's widow.
Aziza is a beautiful dancer from Mansoura, after she rejects the mayor's son who loves her, he deforms her face. She travels to Cairo and runs a cabaret, and falls in love with one of the clients. She meets a doctor who performs plastic surgery on her, giving her a chance to start over.
A singer who works in a nightclub, and seeks to retire from this world, meets a poor young man who falls in love with her and asks for her hand in marriage, so she accepts, and leaves the world of cabarets and the two live a happy life. The woman appears to be very loyal, as she serves her disabled father-in-law, but her husband feels that he does not provide her with happiness, so he is forced to embezzle an amount of money from the company he works for, and he goes to prison, and in light of the life circumstances she lives in, she decides to return to work in the bar again.