Omar is trying to reclaim the inheritance of his father from his uncle. He uses his colleague Rauof, who turns out to be a crook and then flees to Lebanon and Omar goes to jail. Lina the Lebanese girl falls in love with Raouf, and they agree to marry, but he escapes to Cairo.
The wife of a well-known singer dies along with her driver in a traffic accident. In the ensuing murder investigation many latent – but explosive – issues rise to the surface.
Batta and Wezza are two siblings living with their aunt Faransa at a local neighborhood as the latter works as a hired mourner. Batta accepts to pursue the same career as her aunt, under one condition: to keep Wezza away from all the mourning and the weeping and let her continue her studies.
Tito is the second installment in the new-wave Egyptian action movies. After Mafia by Sherif Arafa, which was a breakthrough in Egyptian cinema making, Tarek El-Aryan brings us Tito, the next logical step. Very simply, this movie is about an ex-con who tries to escape his sinful life by starting a new one, but his past comes back to haunt him. The reason, why Tito is better than Mafia is because the script and story line in Tito is more complex, and some of the characters had real depth in them and where fully developed throughout the movie.
Hanan has been unhappy due to the passing of her father, while her husband Sharif has been eyeing Ghada, the young daughter of his driver. They are friends with a married couple, Ahmed and Mona, but Mona has been chatting online with her ex-boyfriend. All of their lives change when Sharif's driver finds out that Ghada as run away from home to be with Sharif and Ahmed finds out what Mona has been doing online.
Five guys wake up in an abandoned place not knowing how and why they are there, also not remembering their identities, and consequently embarking on a long journey to find out how this happened.