六位欧洲犹太人口述他们的家族在20世纪上半叶移居上海时的经历。镜头随着他们的回忆,在九十年代的上海探寻与当年犹太移民相关的历史建筑与文化遗迹。
She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. He...
From a topographic perspective, Ulrike Ottinger’s cinema is mostly located between Berlin and remote places in the Far East or the Far North. In Paris Calligrammes, she explores the landscape of her memories of the city that she called home for 20 years and that helped shape her beginnings as a painter and filmmaker. Ottinger moved to Paris in her twenties and immersed herself ...
乌尔里克·奥廷格(Ulrike Ottinger),一位作品比韦纳·施罗特更少更难得一见的新德国电影导演,她是七十年代德国电影中风格最独特的女导演,是新德国电影中实验电影分支的重要人物之一。
血腥女伯爵从漫长的美容觉中醒来,走出地下世界,与忠诚的女仆开始了一场巴洛克式的追寻,要在维也纳找回红色的长生不老灵药——一本书。这本书若是被这个吸血鬼的仇敌所找到并阅读,将会危及吸血鬼的领域。紧随她之后的,有吃素的侄子和他的心理医生、两个吸血鬼学家和一名警探。在这个扭曲、幽默的吸血鬼传说中,还有更多生动的角色。
Synopsis:
A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess. The rigors of the harsh desert landscape in summer test the prisoners' endurance, unlike Princess Ulan and her tribe, who are united with the physical environment by tradition and necessity.
Ottinger about her Film:
This is a film ab...
Oft noch im Mai wird das japanische Echigo von einer dicken, meterhohen Schneeschicht bedeckt, die alles in kühles Weiß einhüllt. Über viele Jahrhunderte hinweg hat man hier deshalb einen ganz eigenen Umgang mit Kälte und Eis entwickelt und Rituale, Feste und das Alltagsleben der ständigen Präsenz des Schnees angepasst. Mit ihrem Dokumentarfilm "Unter Schnee" versucht Ulrike Ot...