Wheels turn, a crowd surges back and forth, a caged lion roars. Everything—religion, industry, nature, people—seems to be connected in a cycle of creative and destructive forces. In his signature distance montage, Artavazd Pelechian fuses new images and found footage into a single energetic movement.
Classical music, choral singing, and a touch of rock and roll play more than ...
Essay praising human life and work, the everlasting beauty and expression of human thought.
1966
Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.
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The film portrays the rock-climbers who prevent landslides, and eliminate their consequences.(http://www.arm-cinem
Meltwater flowing down the mountainside becomes a wild, churning river. Silhouettes battle desperately against the rushing water so as not to be swallowed up. Vast cloudscapes glide at speed over the Armenian highlands.
In this, his last collaboration with cameraman Mikhail Vartanov, Artavazd Pelechian captures a reclusive peasant community in its unceasing battle with the elem...
In “End", Pelechian films, with a shoulder mounted camera, men and women from different ages and ethnic groups, in a train going from Moscow to Yerevan.
Images that capture the force of nature edited in Pelishian's distinct aesthetic.
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. Written by AAFCCJ
Poetic essay about the beginning of life from labor pains and birth and about its symbolic meaning.